All right 12 days was fun lets get right into the new year with… Wait… What do you mean it’s the middle of March?! Maybe some day I’ll be able to stick to a consistent posting schedule but what the hey.
So this year I decided to open the new decade with a little project. I initially got into anime in a big way around 2011, I watched a handful of things before then but that’s definitely the point where it became one of my main interests. Because of this the 2000s have always sort of felt like a decade of anime I just narrowly missed out on engaging with. I’ve watched a handful of things from the era but there’s something aluring about going back to what I missed. Combined with a fascination with generally obtuse anime that have slipped out of the discourse I decided I’d use this year to watch forgotten anime from the 2000s. The criteria are pretty vague: 1) aired from 2000 to 2009 2) I hadn’t heard of it or was only sort of vaguely aware it existed and haven’t seen anyone really talk about it much. I’m about 20 or so entries into the list so far (I’ve been watching a lot of anime recently for a change!) and there have been a few solid entries and a lot of so-so stuff but that’s sort of what I expected going in. And then there’s Figure 17. A series I had genuinely never heard of until I started compiling the list, which meant I went into it with zero expectations. And it blew me away. Continue reading ““See You Tomorrow” – Death and Separation in Figure 17″
You didn’t really think we’d be getting through this year’s posts without this show coming up did you? Today we’re going to talk about endings, fittingly enough. As I mentioned back in my post on the show earlier in the year, Heybot has a… complicated, relationship with continuity at the best of times. Continue reading “12 Days 2019, Day 12: Heybot and the Sunday Prison”
Gakuen Utopia Manabi Straight is a series that has been on my plan to watch list since like, 2011. I definitely should not have slept on it for so long. The world of Manabi Straight is one in which childhood is increasingly in decline. School still exists but it’s no longer mandatory past the basics and is positioned precariously between rising labour demands and collapsing budgets in the face of catastrophicly low birth rates. The end result of this all is that in the show’s setting childhood is something that increasingly needs to be justified. Continue reading “12 Days 2019, Day 11: “Here and now, something only we can do” – The Value of the Impermanent in Manabi Straight”
So this year I hit a bit of a milestone; 500 finished anime. While ultimately pretty arbitrary and not indicative of anything much it’s still a big number, so I decided the 500th entry should be something momentous and well regarded. Gotta hit those big milestones with big series, right? Just kidding, I watched Sega Hard Girls.
If there’s one very specific subset of anime that seems to exist to appeal to me specificly it’s janky CG shorts literally animated in MikuMikuDance. So what could be more on brand to hit a milestone like that with? It was great choice, it’s a cute little series which affectionately pokes fun at old Sega games, the cast are a lot of fun and it’s consistently funny. It also broke me a little. Continue reading “12 Days 2019, Day 10: Graduation – the Existential Desolation of Sega Hard Girls”
My many rambling trip through the early Precure entries continued this year (I really need to start getting through more than one per year or I won’t be caught up till 2028) with the third series, Splash Star. Which is my favourite yet. A lot of that rests on the strength of its villains, in particular the two we’ll be looking at today.
Continue reading “12 Days 2019, Day 9: Michiru and Kaoru”
Have you ever seen a series just doing a victory lap? Symphogear’s finale felt like that in a lot of ways. With the existential threat of Shem-ha being dealt with in the episode’s first half and Miku rescued from her control, The series conflicts were all basicly resolved. So it kept going. Continue reading “12 Days 2019, Day 8: Symphogear’s Swan Song”
Granbelm was one of 2019’s biggest surprises, I had no idea what to expect going in and it ended up being my favourite new series of the year. I also blogged about the whole thing so feel free to check that out if you want. On the surface of it Granbelm is just another battle royale deathmatch type show, this time with cool robots, but it’s got a few tricks up its sleeve to help it stand out. Today’s topic is one of those tricks; its use of meta expectations as obfuscation.
Continue reading “12 Days 2019, Day 7: If you Die in the Granbelm”